Basim Magdy - Our Shadows Gasped at the Sight of Their Own Multiplying Shadows, 6 June-6 September 2014

BM The Dent 03

The Dent, 2014, film still, Super 16mm film transferred to Full HD video. 19 min 02 sec.

Commissioned by the Abraaj Group Art prize 2014.

 

State of Concept is proud to present Basim Magdy's first solo show in Greece, entitled Our Shadows Gasped at the Sight of Their Own Multiplying Shadows.

 

The exhibition consists of the video work “The Dent”, commissioned by Abraaj and presented in Art Dubai in March 2014, a new photographic work commissioned by State of Concept, and the work "A 240 second analysis for Failure and Hopefulness".

 

In “The Dent”, Magdy uses footage shot in Paris, New York, Venice, Prague, Basel, Brussels and other locations, creating a narrative that might very well refer to Athens. His surrealistic film describes the story of a city that craves for international fame and applies to host the Olympics so that it can become a tourist destination. The people of this city decide to construct new buildings and spaces, they fail, try again until they finally accept their fate and failure. This video seems like an ode to hope but also to the human condition of repeating the same mistakes. All through the visual calendar of Magdy, that transfers us from a construction sight to the sight of an elephant, all under an undefined musical orchestration and a narration of his own texts.

 

In the work “A 240 second analysis for Failure and Hopefulness” Magdy presents 160 photographs in the form of slides. Shot over a period of one month and developed through an elaborate process of exposure to common household chemicals, the images depict a demolition site as it emerges into a construction one. For this process, Magdy has selected liquids such as vinegar, coca cola and others, which have been used as anti tear–gas remedies by revolutionaries throughout the Middle East over the past two years. Once applied to the slide film, the household chemicals distort the color palette of the slides in unusual ways, resulting in an unlimited number of variations. The notion of reconstruction and a sense of the absurd, is presented through an impressive colour prism.

 

Basim Magdy was born in Assiut, Egypt 1977. Lives in Basel and Cairo. Using a variety of media, he constructs narrative structures that explore the space between reality and fiction’s contribution to science, history, culture and the dissemination of knowledge. Selected shows include 13th Istanbul Biennial; Jogja Biennial, Yogyakarta, Indonesia; Dissident Futures, Yerba Buena Center for the Arts, San Francisco; Solar, The High Line, New York; Sharjah Biennial, Confronting the Monster in a Monster Costume, Centre Culturel Suisse, Paris 2013; Future Generation Art Prize, PinchukArtCentre, Kiev; La Triennale, Palais de Tokyo, Paris; Transmediale, Haus der Kulturen der Welt, Berlin 2012; Rencontres Internationales, Centre Pompidou, Paris; Kunsthalle Wien, Vienna; Institut Mathildenhöhe, Darmstadt; D-O ARK Biennial, Konjic, Bosnia and Herzegovina; MASS MoCa, North Adams 2011; Ateliers de Rennes Biennale, Rennes 2010; Kunsthaus Baselland, Basel 2009; Museo de Arte Contemporáneo, Vigo 2008; Centro Andaluz de Arte Contemporáneo, Seville; Le Fresnoy, Tourcoing 2007; Sala Rekalde, Bilbao; Neue Kunsthalle St. Gallen and Art in General, NY among others.  He is the winner of the Abraaj Art Prize, Dubai 2013 and was shortlisted for the Future Generation Art Prize, Kiev/Venice 2012. His work has appeared in Art Forum, Art in America and newspapers such as the New York Times.

 

Read the curator's text here.

 

With the support of 

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the Swiss Arts Council Pro Helvetia

 

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Hospitality Sponsor 

NEW Memeber DH

 

Media Sponsor

 

EN LEFKO cmyk

  


 Video stills

 

BM The Dent 04 state of concept 2014

BM The Dent 06 state of concept 2014

BM The Dent 05 state of concept 2014

BM The Dent 13 state of concept 2014 

The Dent, 2014, Super 16mm film transferred to Full HD video. 19 min 02 sec.

(Commissioned by the Abraaj Group Art prize 2014)

 

 

BM A 240 Second Analysis of Failure and Hopefulness state of concept

BM A 240 Second Analysis of Failure and Hopefulness state of concept 2

A 240 Second Analysis of Failure and Hopefulness (With Coke, Vinegar and Other Tear Gas Remedies),

2012, 160 color slides and 2 synchronized Kodak slide carousel projectors. 240 sec.

 


Images

 

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Basim Magdy - Our Shadows Gasped at the Sight of Their Own Multiplying Shadows, 2014,  installation view © State of Concept.